[paleanddelicate] 4 years of being a dad 💛 #paleanddelicate https://t.co/Llf9zplrAh

paleanddelicate @paleanddelicate
4 years of being a dad 💛 #paleanddelicate pic.twitter.com/Llf9zplrAh

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[leziwok] Nouveau job : jour 1 😌👨🏻‍💻 https://t.co/QYNXTzu65c

Jérémie Le Guen @leziwok
Nouveau job : jour 1 😌👨🏻‍💻 pic.twitter.com/QYNXTzu65c

[MayumiPavy] La cuteness https://t.co/zlcuxyE5EA

Mayumi Pavy-Collet @MayumiPavy
La cuteness pic.twitter.com/zlcuxyE5EA

[fjamie013] https://t.co/r9PcKcb0kP

James Fridman @fjamie013
pic.twitter.com/r9PcKcb0kP

[calamityjesz] Ain’t nothing better than family ! à Lower East Side https://t.co/gJENt4M0E5

jessica moritz @calamityjesz
Ain’t nothing better than family ! à Lower East Side instagram.com/p/Bh2CxBOh6ex/

prostheticknowledge: How We Killed The Green ScreenFilm...









prostheticknowledge:

How We Killed The Green Screen

Film director Michael Plescia presents updated method of SFX trick, the rear projection, incorporating realtime trompe l'oeil camera position tracking for convincing backdrops, called WallAR:

But, green screen is a great tool, right? Not for one filmmaker.

Watch the story of why and how @MichaelPlescia tried to reinvent filmmaking, visual effects and co-found a company in order to make his feature film even a possibility.

See how the story vision for The Mop Liberator lead to the creation of a technology that is allowing the filmmakers to photograph an imagined cyberpunk world in-camera without any post-production using ARwall, a visual effects compositing technology that combines new mixed-reality screens along with the oldest (and maybe best) trick in the filmmaking book.

This piece delves into the inception, development process, and shows the production test footage of the first ever real-time, in-camera, real-light, real-lens, perspective-adapting, mixed-reality, rear-screen, compositing technique.

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[NaomiHalll] Hey @Twitter, et si on remplaçait insultes vulgaires par des "appellations malveillantes"? En plus elles ont vraime… https://t.co/cVgWVfDk9v

Noémie Halioua @NaomiHalll
Hey @Twitter, et si on remplaçait insultes vulgaires par des "appellations malveillantes"? En plus elles ont vraime… twitter.com/i/web/status/9…

[larcenette] @1fillevegetale si ton chien sonne aux portiques de sécurité, on saura pourquoi 🤔😂 https://t.co/Tr1PG2SnY4

Sophie 🎉 @larcenette
@1fillevegetale si ton chien sonne aux portiques de sécurité, on saura pourquoi 🤔😂 twitter.com/punpouet/statu…

[nicovelvet] Mon nouveau projet perso @paleanddelicate et sur https://t.co/EdVdgrU0pV 😉

nicovelvet @nicovelvet
Mon nouveau projet perso @paleanddelicate et sur paleanddelicate.com 😉

[furrtek] Thx for the birthday wishes :D I ate a yogurt and received 10m of solder wick from China. It was a good day.

Furrtek @furrtek
Thx for the birthday wishes :D I ate a yogurt and received 10m of solder wick from China. It was a good day.

[ggete] Je suis fourbu mais ravi, heureux, fier du succès de cette première de @Command_IT_FR avec @MacBidule. Il y’a donc… https://t.co/K89gCKi1tS

Gète XXVII @ggete
Je suis fourbu mais ravi, heureux, fier du succès de cette première de @Command_IT_FR avec @MacBidule. Il y’a donc… twitter.com/i/web/status/9…

[calamityjesz] Packing .... big news tomorrow-travelling with my colors à Yafa, Tel Aviv, Israel https://t.co/S7op2x35d2

jessica moritz @calamityjesz
Packing .... big news tomorrow-travelling with my colors à Yafa, Tel Aviv, Israel instagram.com/p/BgGRSD0hUET/

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zdp-189: Idea: Film ASA Record Insert I often bulk load my film,...



zdp-189:

Idea: Film ASA Record Insert

I often bulk load my film, so often I don’t have the end of a film box handy to slip into the film reminder window. The card stock is printed with white on black on one side to denote black and white film and red on white on the other side for when I’m using colour negative film.

I also include by contact details in case the camera is lost and the card can also be used as an impromptu business card in a pinch.


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